Saturday, April 6, 2019

The Rhetoric of “Yes We Can” Essay Example for Free

The Rhetoric of Yes We Can EssayDaro Villanueva turn uplines the hi twaddle and deduction of the empty lectureal tradition and highlights the striking persistence of the business office of the word in Ameri screw politics. Even in our high-tech age, a three-word tagline -Yes We Can- carries devastating clout. The Hellenic sophists -the master key outperforms of blandishment, notorious for their appetite for influence preferably than virtue- would be two impressed by the abiding power of their art, and dismayed that, in the Gutenberg Galaxy, it has start out a blunt instrument. Centuries before our time, the Greeks considered the question of how to speak so as to s guidance the he bers mind with the power of haggle. The head start to examine the cente justts in which we relate to wholeness other through language, the Greeks wrote dilate treatises laying stark(a) the si raw(a)s of hu cosmos communication, and their experience of language and the laws they infer red from it gave rise to Rhetoric, the art or science of the state-supported vocalizer. The father of cajolery was said to be Corax, who lived in the closedown third of the fifth century BC in the Greek city state of Syracuse in Sicily his disciple Thysias was credited with bringing his palaveral discoveries to mainland Greece.Once there, rhetoric was appropriated by the so-c on the wholeed sophists. The history of the term is riven with self-contradiction. Etymologi makey, sophist means bearer of truth, but its stylusrn marrow is the exact opposite a sophistry-the stock-in-trade of politicians-is a plausible but spurious argument in yield of a falsehood.True rhetoric, however Aristotle urges in the introduction to his Rhetoric is by no means sophistic. Discussing the uses of the discipline, Aristotle begins with the resolution that rhetoric educates the common citizen and shapes his spirit, and is a useful way of advancing truth and justice, which in the natural race l ine of merchandise of things would restrain over their opposites if it were not because their advocates are or somultiplication inept.1 Going back to the root of the matter, however, G.B. Kerferd, a educatee concerned with the earliest Greek sophists,2 divided the school into three distinct typessages, such as Solon, whose cognition was embodied as law statesmen, who use their pre-eminent talents to practical personal matters, such as Pericles and Themistocles and teachers of wisdom, skilled in offer on their learning and teaching eloquence, such as Protagoras, Gorgias or Socrates.If we view this classification in Montesquieus terms, the number 1 group would stand for the legislative and judicial powers of the state, while the second group makes a good barrack with the executive power. The third group, however, comprising know of wisdom and oratory, embodies the time-honored marriage of interests and skills between scholars and rulers, sustained by the old(a) but evergreen art of rhetoric.Ameri washbowl rhetoricLeaving aside any objective or partisan judgment atomic number 53 grand power pass on his politics, which is irrelevant to our concern here, Barack Hussein Obama, a university academic, senator, and hot seat of the join States, provides a fascinating example. He makes a perfect fit with a indian lodge as sharply characteristic as the American red-hot World, the promised land where the governmental principles that were ulterior to motivate the French Revolution of 1789 gave rise to an eclectic community, a melting pot of different ethnic origins-not exclusively of them European-and open to all the innovations brought forth by the spectacular advance of science and technology from the Enlightenment to our consume day. This was the saucy Democratic Nation that, ushering in modern poetry, Walt Whitman sang in his book, Leaves of Grass.One of the singular features of that New World is the somewhat astonishing survival, at some fundamen tal level, of the power of the word. The contrast may depend improbable, but in America the flourishing of technology and all its rich resources the central theme of a book that is in no way complacent, but in fact hypercritical, by Marshall McLuhan and his disciple Neil Postman3 enables oratorical endeavor to thrive. Greek rhetoric, largely brought into being by the Sophists, who we must not forget were more than interested in winning over the d declarees than the furtherance of truth, like a shot has its promised land in the join States. A recent case in point is the impact of President Obamas Yes we can legal transferes.Again, it was Marshall McLuhan who reminded us that electric systems of communication radio and television peculiarly facilitated a revival of oral expression in human communication and cultural transmission after a period of relative shogunate of the ticker over the ear the written word, with the printing press as its handmaiden, had reigned supreme over the five centuries of what McLuhan dubbed the Gutenberg Galaxy.4Technopoly Postmans uncomplimentary name for the United States of America is a locus particularly amenable to the use and development of young technologies, but, even in the twenty- beginning(a) century, bears the hallmarks of a vast human community in which, as in the ancestral tribes discussed by McLuhan, the spoken word still harbors real power.An undeniable influence is exerted here by the religious bedrock that continues to underlie American society. Though fragmented and diverse, the Protestant churches visibly predominate, and in their communities the scriptural and evangelical word breathes life into individual and collective spiritual experience, which draws further nourishment from the often impassioned eloquence of Protestant ministers.Barack Obama himself, a devout Christian, par gos of this culture of liturgical oratory and, far from keeping this deep down the private sphere, he has no qualms about put ting it on public show as one facet among many of his political personality. His beginnings as a Chicago activist in the late mid-eighties saw him as a attractor of the Developing Communities Project, run by the Church Association on the South Side. Whats more-and this was the subject of a serious controversy, adroitly handled by Obama when his presidential campaign was in wax swing-he was an active member of Chicagos Trinity Church, a congregation shepherded by the controversial Reverend Jeremiah W chasten.The importance of rhetoric has been a feature of American democracy since the Founding Fathers. Its earliest master was Abraham capital of Nebraska, the 16th President of the United States and first Republican President, whoproclaimed the Emancipation of down in the mouth slaves in 1863. Obama brought this to the fore in his Victory oral communication when he called upon his political adversaries, members of capital of Nebraskas own party. The man who in January 2009 became the 44th president started his campaign two days earlier in the state capital at Springfield, chargeinois, where in 1858 Lincoln had delivered his landmark House shared out name and address.Some political commentators ease up not hesitated to draw a parallel between the two by dint of their common endow for oratory. Lincolns about celebrated rhetorical legacy is a prodigious linguistic process delivered on November 10, 1863, at Gettysburg. Running to scarcely 246 row, what might have been no more than the close of a late tribute to the heroes of a battle fought four months earlier on the fields of Pennsylvania became the historic declaration that, after the Civil War, the American nation would be consecrated for ever as the realm of license administration of the lot, by the mickle and for the people.The election campaignWe can readily appreciate in Barack Obamas election campaign speeches-available at http//obamaspeeches.com-that these principles, and the more effec tive ways in which they have been put into linguistic process, survive immediately more importantly, both the principles and the words retain their power to move and engage the citizenry. This is the power of words which Obama invoked at the end of his speech announcing that he was running for President at the very(prenominal) place where, 149 long time before, Lincoln had spoken on a House Divided.It is accurate to point out that a decisive promoter in his campaign was the recruitment of all the Internets rich resources blogs, chat rooms, cordial networking and, above all, the availability on YouTube of some of the candidates key speeches, which I shall later be parsing from the rhetorical pedestal. Nevertheless, in the beginning, as in the biblical Genesis, was the Word, the foundation of the oral communication that marks us out as rational beings and as social animals. So one might say that Obama simply utilize the new technological possibilities offered by what some now c all the Internet Galaxy,5 just as one of his predecessors in the Oval Office had make with what McLuhan called the Marconi Constellation.I am of course referring to Franklin D. Roosevelts fireside chats, a series of 30 radio talks lot from 1933 to 1944. Political scientists have claimed the chats played a vital role in getting the American public to understand two major presidential initiatives first, the New Deal, which Roosevelt under alikek to combat the Depression of the 1930s secondly, Roosevelts decision to take America into the neat war then afflicting Europe. Roosevelts radio talks have gone down in the history of communications as a great oratorical bring home the baconment. They would begin with an affable Good evening, friends, and went on for 15 to 45 minutes. 80% of Roosevelts words were among the thousand commonest in the face language.Though he shares the gift of oratory with Lincoln and Roosevelt, in Obama we have a modern-day speaker unit addressing twenty-firs t-century citizens and using hitherto inconceivable technologies to enhance what, in the last instance, is little more than the outcome of applying the principles of rhetoric and its main genres of discourse deliberative-i.e., political-discourse, and demonstrative, epideictic discourse. The epideictic mode includes the encomium, by which one describes a person, a pattern of behavior or a state of affairs with the aim of dispensing praise or censure one of its characteristic excogitations of which, as we shall see, Obama is a consummate master is evidentia, a particularly vivid form of description.Obama was no stranger rather the opposite to the forensic rhetorical genre, having first majored in political science at Columbia and later progressed to a doctorate at the no less prestigious Harvard Law School. In fact, his media debut was a consequence of his being select editor of the Harvard Law Review, the prelude to a distinguished career as a jurist which was later to elevate hi m to the chair of constitutional law at the University of Chicago.Communication strategiesIn the American system of higher(prenominal) education, even at the foundational level of training imparted at college up to the attainment of a bachelors degree, overmuch is do of communication strategies students are urged to luff and practice them, on the view that they are of crucial import for their right-hand(a) development as citizens. The significance accorded to applied rhetoric is taken to an extreme in graduate study in the social sciences and, in particular, at law school.When I first experienced life in the United States, thirty years ago now, I was struck by how versatile and broad-ranging modern American rhetoric can be. In all facets of society rhetoric is close at hand, especially in the media television has not yet lost its entrenched primacy, although it is doomed increasingly to share its viewership with the Internet. Tellingly, you can occur sites on the web specifical ly concerned with this phenomenon, such as American Rhetoric (http//www.americanrhetoric.com), providing a extract of 100 major speeches, or Great Speeches Collection, at http//history places.com.Rhetoric is of course present in the political discourse of members of the executive and of congressmen and senators rhetoric is heard in the courtroom, and Hollywood has built an whole word picture genre on it rhetoric even runs through the informal, jocular acknowledgements given at showbiz awards ceremonies, and provides the sinew of Jay Lenos and David Lettermans late-show spiels to particularly striking effect, rhetoric animates church sermons, designed and produced as television spectaculars that have now cornered weekend morning prime time.It was in this culture of the revival of the word that todays President of the United States was born and bred, and this is where he still operates today. His university training refined a number of talents that are no doubt innate. These were q ualities that to a fault graced Ronald Reagan, for instance, whose playing career proved a good fallback in the face of communicative and political challenges (the similar cannot be said of George W. Bush), such as his notable debate with Walter Mondale broadcast from Kansas City towards the end of the 1984 campaign. and commentators and biographers have unanimously hailed Obama for the further distinction of oratorical fire and literary talent.In 1995, after months of writerly retirement in Bali, Obama producean excellent autobiographical account that met with high critical acclaim Dreams from My Father A Story of Race and Inheritance.6 On reading this memoir, one perceives that the author is touched with literary passion and have of wide and varied learning, ranging from Shakespeare, Melville and Emerson to Nietzsche and Saint Augustine, from Toni Morrison and Doris Lessing to the great novelist of the Deep South, the Nobel laureate William Faulkner, who merits mention in O bamas vibrant speech delivered at Philadelphia in March 2008, A More Perfect Union.Barack Obamas rhetorical flair is as well as in evidence in his ability to empathize with his audience by his skillful actio, the austere but emphatic gestures with which he delivers his speeches. He displays fine judgment in his choice of speechwriters, and is able to convey to them the guiding brains-the rhetorical inventio, or core content of the message-to which his writers must then give the right words-elocutio-arranged into the most effective structure, or dispositio, for the intended purpose of the address.Logographers, ghostwriters, negrosThe history of Greek rhetoric devotes a short paragraph to memorialize the abject but indispensable phone number of the logographer in the fifth century BC exemplars such as antiphon or Lysias worked as mercenary speechwriters. Their modern counterparts find no shortage of work as members of the sufficient campaign outfits put on the road by the typic al American presidential candidate, whose frenzied act and ethical quandaries were taken to the screen by Mike Nichols in the 1998 movie Primary Colors, starring rear Travolta and Emma Thompson.Obamas leading logographer is Jon Favreau, a 27-year-old prodigy who devoted two months to write the twenty-minute speech that his boss gave at the Lincoln Memorial at the start of his campaign. In addition to writing the Victory Speech for November 4, 2008, Favreau also penned the words that would have been spoken if Obama had lost. The President and his logographer understand each other so well that Obama calls Favreau a mind-reader, crediting him with nearly telepathic empathy. This is the key to being agood ghostwriter, the English term for what we in Spanish call a negro, a writer on anothers behalf.The outturn of this fruitful partnership is a head of oratorical pieces that already deserves a place of honor in the canon of American rhetoric. These fine, poetic speeches are also shar ply effective in stirring their hearers to action. Another matter-and this is the vital challenge standing in the way of rhetoric, an art shaped, we ought not to forget, by the Sophists-is whether these beautiful pieces have any performative force, as a linguist might say. Put another way, the tough reality is that a wide gap yawns open between verbalism and doing as the Spanish adage goes, obras son amores y no buenas razones, good works, not fine words, are the stuff of love. How to Do Things with Words is the title of a series of papers given at Harvard (and published posthumously in 1962) by John Langshaw Austin, a linguistic philosopher concerned not so much with the descriptive capacity of language as with its ability to affect reality, to shape the facts.Hillary Clinton, in the heat of the primaries, disadvantageously said, My opponent gives speeches. I offer solutions. Obama risks being stigmatized as a purveyor of hot air in the perk up of his winning the Nobel Peace Pri ze in October 2009. Rather than an accolade warranted by the laureates actions, the prize seems spotlessly to love the esthetics of Obamas mentions of peace in his speeches, already acclaimed by some journalists as some of the most smart ever spoken by a President of the United States.The American canon of oratory also includes a number of pieces delivered by statesmen who never rose to the highest office. The oratory of Barack Obama is indebted, in my view, to one in particular.I have a dreamI am of course referring to the dazzling address that Martin Luther tycoon delivered in Washington on August 28, 1963, at the crowning moment of a blemish on the federal official capital by caustic civil rights campaigners claiming entitlement to work and freedom. Luther Kings speech went down in theannals of rhetoric under the title of its core phrase, which, by dexterous use of anaphora, operates as the central motif I have a dream.Martin Luther King, like Barack Obama 44 years later, f irst turns his hearers attention to the realise of a great American, President Lincoln, whose Emancipation Proclamation came as a great beacon light of hope to millions of inkiness slaves. But that promise of work and freedom-the orator then continues with vibrant diction-has been dishonored by the American nation, and the black community is now to raise its voice in protest, like a man given a bad check.Following this apt simile, so close to the heart of a money-driven society like America, the speaker offers a short but powerful list of demands with which the movement has come to Washington. He uses this moment to secern with his audience, as if he were no more than another participant in the march, and, addressing his brothers and sisters in the second person, he urges them, Let us not wallow in the valley of despair, I say to you today, my friends. And, as a proactive expression of his exhortation against discouragement, Martin Luther King then spoke the prophetic phrase that became the title of the entire speech, and that structures the final stretch of the oration by the figure of anaphora, the intermittent repetition of a single idea expressed in the same words I have a dream.The speakers dream is rooted from the first gear in the so-called American dream, the attainment of which is presented as still in the future. It is the dream of seeing established Thomas Jeffersons proposition in the Declaration of Independence of 1776, that all men are created equal, as applied to the racial discrimination that at this time, 1964, still reigned. The dream is then particularized into a number of direct phrases that build up to a climax of hope propitiated by the repetition of the same form of words by a roused audience. And the first fundamental anaphora, I have a dream, some(prenominal) times repeated, now gives way to a second anaphora that will serve to end the speech. If America is destined to be a great nation, it will see that dream come true and libert y will prevail for all its children.To conclude his speech, the orator applies the figure of anaphora to the refrain of a popular song, written in 1832, titled America Let freedom ring. This phrase is repeated no fewer than ten times. Martin Luther King then links up this phrase with another, drawn from a well-known black spiritual justify at last.Almost half a century after I have a dream, the exemplary phrase of the leading figure of the Afro-American community-who tragically died in 1968, long before a black citizen reached the presidency of the United States-Barack Obama, in the speeches that were to raise him to the Oval Office, shared a number of features with Martin Luther King (who by the way also won the Nobel Peace Prize). In the key speech on the New Hampshire primary iniquity, the man who was to contract Americas first black president had heartfelt words of reminiscence for the black preacher who took us to the mountaintop and pointed us the way to the Promised Land. Both orators share a recognition of the legacy of Jefferson, Lincoln and the Founding Fathers both use the language of the Christian community, gathered round the warmth of the Bible both are masters of oratory, and successful rhetorical performers in front of their respective audiences. Obama even shares Kings recourse to the figure of anaphora, this time with a phrase which was likewise to achieve outstanding resonance Yes we can.Yes we canOne of the forms taken by the effect of new communicative technologies now in the service of political discourse is exemplified by the fascinating way in which Obamas slogan was made into a song produced by Will.I.Am (William James Adams), a member of the knock band Black Eyed Peas, who then broadcast his work via YouTube and dipdive.com in February 2008 under the username WeCan08. Obama and his speechwriters were not exclusively original in coining the phrase. The direct precedent of the yes we can tagline was Hispanic. In 1972, the Chicano human rights leader Cesar Chavez, who with Dolores Huerta and Philip Vera Cruz founded United rear Workers, used the slogan S, se puede, which translates into English as Yes, it can be done.The difference between these two phrasings in English, Chavez and Obamas, has vital rhetorical significance. Yes we can contains a veritable compendium of expressive virtues, from the sales booth of the core idea, or inventio, and in terms of its dispositio and elocutio. More, it is easy to remember, and the speakers actio or performance can readily wake up a collective rejoinder, as seen on YouTube the entire audience put their voices together as a univocal chorus echoing the soloist. The crux, however, is that Chavez slogan was impersonal, whereas Obama transformed it into a form of words unambiguously comprehend the joint will of leader and people, united by that inclusive we.The illocutionary and perlocutionary impact of the slogan can be elucidated by looking back at the tagline used for Dwight Eisenhowers presidential campaign of 1952. A marketing expert, pecker G. Peterson, who later rose to be Richard Nixons Trade Secretary, crafted a phrase which, unlike Obama, Eisenhower for obvious reasons never include in his own speeches, but his followers chanted non-stop it was touted relentlessly by the whole propagandistic stock-taking of Republican billboards, rosettes, medals, flags, banners, signage and badges.Peterson, the mind fanny all this, lighted on General Eisenhowers nickname Ike. Playing mainly with the rhetorical figure of alliteration, Peterson tied Ike to the first-person pronoun, I, thus eliciting the speakers full engagement with what he or she was saying. Finally, the third riming term, linking the subject-the I instantiating each potential voter-to the object-the candidates nickname, Ike, was a verb with a similar vowel sound the present implicative of to like. I like Ike became a round declaration by whoever spoke the slogan of his preferen ce in the presidential race. I like Ike therefore, my vote for the Presidency of the United States goes to Dwight Eisenhower, and no other.Obamas slogan is doubtless more resonant than Eisenhowers, and even more compact. Its three monosyllables make it memorable and give it prosodic, rhythmic and perlocutionary force. In those speeches in which Obama actually spoke the phrase yes we can, his audience would echo the same words, the imports of which range over a mass of politically charged domains.The first monosyllable of the tagline has the robustness of the affirmative. The speaker starts with an affirmation, with all that that implies as a domineering bid to mobilize. And that yes forthwith engages with an inclusive we, the first-person plural pronoun that embraces both speaker and hearer, unlike Cesar Chavez precedent, yes, it can be done, which, as we have seen, has an impersonal high. Finally, the verb can carries power, strength, determination. An audience thus roused by a l eader partakes in the meaning of these three monosyllables, which they can readily chant. The import of this is to say, aloud and in unison We affirm that together we shall achieve our aims, because our combined strength enables us to do so.Rhetorical figuresThe apostrophe is one of the figures classified in the art of rhetoric as pathetic, in the technical sense that these were devices appropriate to venting the passions. An apostrophe consists in expressly calling upon the audience, in a bid to create the climate for achieving the orators perlocutionary ends. With his yes we can, Obama peremptorily urged his followers to take on and successfully dispel the decisive challenges facing the wellness of the Republic.Yes we can burst onto the scene of Barack Obamas presidential campaign in the course of his speech at Nashua on January 8, 2008, the night after the New Hampshire Democratic primary, which Obama lost to Hillary Clinton, his main rival. From the standpoint of rhetorical ana lysis, however, we should look at the full sweep of the future Presidents twelve key speeches, from his candidacy annunciation at Springfield on February 10, 2007, to the Victory Speech in Grant Park, Chicago, on November 4, 2008. The first speech to feature Yes we can, the New Hampshire address, was the third of a series that repays consideration as an integrated whole, in so far as, to different degrees and modulated in different ways, it contains the doctrinal message that Obama, as a presidential candidate, sought to convey to the American people. To this end, his speechwriters put in play a vast andpowerful inventory of rhetorical resources.The first textbook I have chosen Obamas announcement that he was to run for President is indisputably significant for its inventio, its content, its choice of venue (the Lincoln Memorial, erected on the site where the eponymous former president gave his famous House Divided speech) and its ingenious rhetorical design.Obama draws inspiratio n from the founders of the Republic to promise what all politicians promise at the start of their campaigns change. He lists the grave challenges faced by the nation, and deplores the dearth of leadership and the pettiness of politics. In response to these blights and challenges, he ties together a chain of proposals, each starting with the anaphora, Lets be the contemporaries that Lets be the genesis that reshapes our economy to compete in the digital age that ends poverty in America that finally tackles our health care crisis that finally frees America from the tyranny of oil.There are no fewer than six uses of this same form of apostrophe, in which the leader stands shoulder to shoulder with his fellow citizens in the will to be the generation of change. One of these anaphoric devices engages another that already points to the main catchphrase with which we are concerned. We can control be we can harness homegrown, alternative fuels we can work together to track terrorists dow n, the speaker continues. One can make out the outlines of the rhetorical blueprint of the whole campaign, which was soon to find its ideal slogan in the Yes we can phrase. At Springfield, when Obama was still one of eight Democratic candidates competing for nomination, he affirmed that there is power in words there is power in conviction.The anaphoric repetition of we can is the antidote to skepticism, of which the speaker is not unaware I know there are those who dont believe we can do all these things. He, however, does believe it, and his faith is reinforced by the certainty that he is not entirely. Hence he makes an urgent call to action That is why this campaign cant only be about me. It mustbe about us, it must be about what we can do together. We cannot know whether at that early show on the long road that was to take Barack Obama to the White House the yes we can phrase was already in his and his speechwriters minds, but what was present was the belief that together, lea der and people, they could.Sparks began to fly at the beginning of the following year. The second text with which we are concerned is Obamas speech on Iowa Caucus night, January 3, 2008. Before the party assembly at stilboestrol Moines, the candidate started his short but powerful speech with an announcement of imminent change, a change he was ready to lead. His belief is again expressed in a string of four anaphoric paragraphs Ill be a President who finally makes health care affordable Ill be a President who ends the tax breaks for companies that ship our jobs overseas Ill be a President who frees this nation from the tyranny of oil Ill be a President who ends this war in Iraq.The speech concludes with a delicately judged rhetorical and emotive gradation. Again using anaphora, the speaker prophesies the moment of change he is confident of achieving with his followers and the American people at large. This was the moment, he says, when America remembered what it means to hope. At t his point, Obama and his logographer resort to the rhetorical figure of thought technically termed recriminatio For many months, weve been teased, even derided for talking about hope, the candidate complains. But, turning the accusation against the original accusers, he reminds us that hope is the bedrock of this nation, an allusion readily grasped by the audience in that it looks to one of the open up myths of the United States.Obama himself embodies the truth of that foundational myth Hope is what led me here today, with a father from Kenya a get under ones skin from Kansas and a story that could only happen in the United States of America. The leader uses his own self as a specific model of what he proclaims, enlisting another rhetorical figure already used in that same speech and featuring in several later orations. Hypotyposis or evidentia consists in a detailed description of a specific example that illustrates the speakers argument. Before usinghimself as such an example, O bama had evoked several instances of hope for change, which he had read in the eyes of the young woman in Cedar Rapids, whose night shift was not enough to pay health care for her sick sister, or had heard in the voice of the New Hampshire woman whose nephew was fighting in Iraq. This same hope had inspired a handful of colonials to rise up against an empire, and driven the American civil rights movement, led by James Bevel and Martin Luther King, to march from Selma to Montgomery, in the racist Alabama of the Ku Klux Klan and Governor Wallace.Given these precedents, everything was in place for the candidates third landmark speech, the New Hampshire address at Nashua on January 8, 2008, to bring to light the slogan that was to usher Barack Obama into the White House and become a motto of universal resonance.With admirable rhetorical skill, this speech lays out a range of political arguments-anticipated by earlier speeches-and naturally culminates with the emblematic phrase yes we ca n, three words which the speaker predicts will ring from coast to coast from sea to shining sea.Those political propositions herald a change wrought by a new majority that desires to end unaffordable health care, end tax breaks for companies that ship American jobs overseas, end schools smite by corridors of shame, and put a stop to pattern of energy use that harms the planet and humanity.By the figure of speech termed anadiplosis, Obamas oration at Nashua rounds out each of these propositions with a repeated urge that we can, always attributed to the new majority we can do this with our new majority. His words flow like a cascade until a final apostrophe to the audience arouses the response of a chorus speaking with one voice.Returning to the figure mentioned earlier, recriminatio, the leader places blame on an opposing chorus, the chorus of cynics who insist we cannot do this. Those who deny the possibility of hope in a nation in which hope is never vain But in the unlikely story that is America, there has never been anything false about hope. A number of domestic evidentias are thenmentioned the struggle of the Spartanburg textile worker, the plight of the Las Vegas dishwasher, the hopes of the little girl who goes to a crumbling school in Dillon and the dreams of the boy who learns on the streets of LA.On this rugged foundation that befits the nature of the American people, Barack Obama raises his slogan like a standard, and with the choral approval of his audience he recites the phrase no fewer than nine times, before closing the speech with the final words yes we can.Once the phrase was firmly coined, Obama did not actually utter it even once in his adjacent speech, a long and closely argued address. This was A More Perfect Union, which Obama gave on March 18, 2008, in Philadelphia, the city which for Americans is something like Cadiz is for us Spains first democratic constitution was proclaimed in 1812 at Cadiz, for Philadelphia was where the Constit ution was enacted on September 17, 1787, twenty-five years before Spains La Pepa.The first sentence of its preamble gives Obamas speech its title, and expresses one of the core ideas of his whole campaign the union of all Americans but, in particular, it opens with an emphatic We, echoing Yes we can We, the tidy sum of the United States, in Order to form a more perfect union do align and establish this Constitution of the United States of America.Obama again gives the lie to the naysayers who dismiss his candidature as a mere exercise in affirmative action, but he devotes the lions share of the address to a harsh recriminatio tell against his former pastor, the Reverend Jeremiah Wright, whose radical invective against the United States, as his reaction to the survival of racial discrimination, had compromised Obamas electoral outlook. The candidate makes use of this sensitive juncture to assert that, for him, too, amicus Plato sed magis amica veritas, Plato is my friend, but trut h is the greater friend.He in public professes his religious faith and at the same time evinces an outright rejection of extremism, always confident that America can change, and that only if we do as the Scriptures would have us do be brothers to our brothersAmericans will bring truth to those words of the Constitution as to a more perfect union. To illustrate his argument, nothing could be fall in than a fresh evidentia the homely heroism of Ashley Baia, a 23-year-old woman volunteer working for the Obama campaign in Florence, South Carolina. Obama acknowledges having already told this anecdote at an event commemorating Martin Luther King at the Baptist church of Ebenezer, Kings own parish in Atlanta.This display of religious faith-which would be unthinkable in a European politician, for instance-comes to the fore in the next piece I propose to examine Obamas talk given on Fathers Day, June 15, 2008, at the overblown Church of God in Chicago. As though he himself were in holy or ders, Obama begins his speech with a quotation from the Sermon on the Mount, as told by St Matthew. He follows this, again, with a mention of Martin Luther King, and then holds himself out as a statesman and father, advocating the education of his children as a responsibility not only of government officials but also of their own parents. He ends the address by characterizing his words as a solicitation or call which he hopes will come true for his country in the years ahead.A specific, chiefly economic theme runs through the immediately subsequent speech, delivered by Obama at Kettering University in Flint, Michigan, on June 16. The title tells the story Renewing American Competitiveness. This was not an critical point for the emotive force of a political harangue, but the candidate nonetheless refers to the Founding Fathers, who, having won independence, created a common market by fusing the economies of the first 13 states. He follows this up with a with a fierce attack on the neoliberal, militaristic and extreme right-winger politics of George W. Bush and the Republican Party. In stark opposition to their approach, he proposes as pillars of an economy that is to become more competitive in the ball-shapedized world a reinvigorated school system, innovative energy strategies, a more efficient health system and new investment in fundamental research and infrastructure. His closing words, however, point back to the central theme of his campaign Because when Americans come together, there is no destiny too difficult or too distant for us to reach.Ich bin ein BerlinerThe second-to-last speech that Barack Obama gave in the year in which he won the presidency was also tightly focused on a specific subject, but for that very reason and, in particular, because of its venue it brings to mind another piece of oratory that has its place among the most memorable ever spoken by a President of the United States in the twentieth century.Obama only revealed his foreign policy blueprint on the occasion of his visit to Berlin, on July 24, 2008. Under the title A World That Stands as One, he sets out his understanding of cultural diversity, national interests, nations and the attitudes of all the worlds peoples. Facing a different audience-not his usual hearers, American electors-he presents himself as a citizen of the United States and fellow citizen of the world. He refers to the responsibility that attaches to global citizenship, and acknowledges that the United States closest ally is still Europe, placing on record his hope that Europe will lie united. In our continent, he says, it is likewise meaningful to invoke that yearning for a more perfect union, in the words of the preamble to the American Constitution, which Obama mentions here in Berlin.In a Berlin riven by the Wall, fraught with the unsufferable tension of the Cold War and the partition of Germany, John Fitzgerald Kennedy had roused his German hearers when, on June 11, 1963, he opene d his speech, delivered from the stairs of the Rathaus Schoneberg, with a seeming paradox, spoken in German Ich bin ein Berliner (nowhere in the speech was Kennedy to utter the English phrase I am a Berliner). The effect of these words was electrifying the people of Berlin, besieged and alone in a redoubt of Western democracy behind the Iron Curtain an expression popularized by another great modern orator, Winston Churchill enthusiastically identified with the president of a power which only 18 years before had driven the Nazi regime to defeat. The audience gladly accepted Kennedys closing argument, in the vogue of an epiphonema All free men, wherever they may live, are citizens of Berlin. Therefore, as a free man, I proudly say these words Ichbin ein Berliner.This belated review of a small selection from the oratorical corpus of Barack Hussein Obama, brilliantly crowned by his Victory Speech of November 4, 2008, in Chicagos Grant Park, reveals, among other rhetorical features like those discussed earlier, a consistent theme, developed over the course of the entire process in response to the emerging circumstances of the campaign and the venues of Obamas rallies, in conjunction with an overarching strategy, which scholars of Baroque literature have often characterized as the coming together of two movements first, the dissemination of arguments secondly, a complementary gathering of arguments. This is but the characteristic tenor of this final oration, the Victory Speech.The President Elect opens with an affirmation of the continuing force of the dream of our Founders and other great men, such as Lincoln, Roosevelt, and Martin Luther King, a preacher from Atlanta. Those doubting the dream have finally been put right by American votes. To flesh out this concept of electoral vindication, Obamas logographer again resorts to the figure of anaphora, four times repeating the same clause Its the answer The answer is change, still the true genius of America.The winn ing candidate, via the figure of apostrophe, then directly addresses his hearers- whether listening to him in Grant Park itself or by the medium of electromagnetic waves-as the you that has made all this possible. This apostrophe does not disclose a recriminatio, like that which even on this joyous occasion Obama has cast in the direction of the cynics, but a veritable encomium or panegyric of those who have raised him to office, with their donations, their supportive looks and applause, and their votes, which are decisive for Obama to take on challenges as vast as two wars, a planet in peril, the worst financial crisis in a century. To personify the unanimous people as an individual, he proposes a new evidentia, Ann Nixon Cooper, who that afternoon had stood in line to vote, 106 years of life behind her.The cold shower of reality nonetheless encourages Obama to rebuild the strongbonds of alliance between President and people invoked by yes we can, the slogan which now, looking forw ard, takes on the shape of a rhetorical variatio I promise you, we as a people will get there.YouTube provides a record of how Obamas promise was met by the audiences chorus of yes we can. This was precisely the closing phrase of the entire campaign, at the very moment at which the candidate was invested with the charisma of victory. His speech was again a masterpiece of that effective communicative technology that is none other than ancient rhetoric, as revived in the Internet Galaxy. Today, Obamas speechwriters continue to exploit all the resources of the art of rhetoric, including the play on words that contrasts the interests of Wall Street-the inner sanctuary of capitalism-with those of Main Street, which stands for American towns and small cities, the emblem of the common citizenry.

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